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Your best bet, if there's no pop screen or filter available, is to record slightly off-axis-this eliminated plosives during testing for the most part. It's still quite possible to set this capsule off with some plosives. So, does the internal pop filter mean you don't need an external pop filter for unruly or plosive-prone vocals? No. But Rode does manufacture both a windscreen and a shock mount for its mics, should you find either to be necessary. Because Rode includes a pop filter and a shock mount internally, there aren't any accessories like those included, either. You have to adjust the mic's recording levels on your computer instead. ![]() The Podcaster is an end-address mic, so the stand you use will need to be sturdy enough to handle its weight when it's angled in the direction of the speaker's mouth.īeyond the stand, an onboard gain knob would be nice. In fact, it might be more likely that USB mic shoppers don't already have stands. ![]() If the assumption is that anyone buying a mic already has a stand, well, that's not always going to be the case when someone is purchasing a USB mic. Rode would do well to include a desktop stand, or even integrate a kickstand into the mic itself. What's missing? That's easy: a mic stand. The cardioid-pattern Podcaster's frequency range is from 40Hz to 14kHz, with a fixed 18-bit resolution and a sampling rate range of 8 to 48kHz-you can adjust it in your computer's or software's settings menu. Above the headphone jack, there's a volume knob to dial in ideal zero-latency monitoring levels. The (very long) included USB cable connects to a port on the base of the microphone. (Opens in a new window) Read Our Beyerdynamic Fox ReviewĪn LED on the side panel is thoughtfully located facing the speaker when addressing the mic-it lights up red when the mic signal is peaking, and orange when levels are just below peaking (green is the default color when the mic is receiving power via USB). But the body feels less typical-it has a heavy 1.5-pound build with a glossy white exterior rather than the metallic tones I often see. The Podcaster comes in a familiar, broadcast-style shape, with a grille wrapping around the top end of the mic. In terms of audio quality, the Rode is a cardioid-pattern mic, with no digital signal processing (DSP), making it a solid choice for radio broadcast-style vocals. And while we've seen 16-bit and 24-bit resolutions thus far, the Podcaster utilizes a less common 18-bit. The other slight surprise is that the Podcaster is a dynamic USB mic, not a condenser mic like many of the competing models. The only irony here is that, at $229, the Rode Podcaster is among the more expensive USB options we've tested. Thus, its entry into the USB mic realm is a natural progression. Rode is an Australian microphone brand that manufactures good-looking, quality condenser mics for a fraction of the price high-quality models often sell for. ![]() Rode podcaster usb dynamic microphone how to#
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